A third chorus lulls with all of the bass levels we’d missing, coupled with the high piano riff, blasting into the fully powered instrumental and vocal anthem from before until close. The production on this track is outstanding. A clashing solo of hard piano chords, distorted guitar and bass lead into a brief respite without drums. An anthemic bridge of multitracked “lalala”s is sure to be the sound of the next tour. The verse doesn’t hesitate as it breaks into a loud, sing-a-long chorus.
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A bouncing bass and reversed piano chords, soon topped with a chiming piano riff make this immediately my favorite song of Andrew’s in a long time. There hasn’t been a track this energetic since Jack’s Mannequin, and the half-rapped lyrics are a direct link to Everything in Transit. Brooklyn, You’re Killing Me: With a fast, treble-filled drum beat and a stuttering spoken vocal, we kick off a song that’s simultaneously fresh and nostalgic.Zombies Intro: A brief collage of ambient city noise, including a plucked string instrument, subway trains, and singing (busking?), that crescendos into the first song.Of course, I’m not one to write off music after one disappointing listen, so here I am again after a deep listen to give a real “first” impression.
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I also just happened to hold my listening session during some pretty rough turbulence over the Middle East this compounded my already dulling enjoyment. One of them, however, rubbed me the wrong way enough to kill some of the hype. The band slowly released songs starting last year, and some took a bit of growing, as I’ll mention below. That said, I listened to his latest release Zombies on Broadway, the second album of his latest venture In The Wilderness, while on my returning flight from India last week, and, well, it’s alright. I’ve been a fan of his for a long time, and as such, every new release of his brings excitement and anticipation.
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I first heard Jack’s Mannequin not knowing it wasn’t Something Corporate. I knew Something Corporate before I even knew the name of its frontman. It’s not an indictment of youth or maturity, it’s just a simple realization that some things you have to see for yourself.I’ve loved just about everything Andrew McMahon has created. Encountering some of life’s great milestones – fatherhood and marriage, grief and loss, success and failure – I’ve often been struck by the notion that someone should have paved the way for me, only to realize they had, and I just wasn’t listening.
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“Despite the best intentions of those who go before us, many of life’s most profound, thrilling, and heartbreaking moments cannot be explained or prepared for. “‘Nobody Tells You When You’re Young’ is about how the most important lessons in life are often unteachable,” shares McMahon. Tilt At The Wind No More marks the fourth full-length studio album for McMahon under his Wilderness moniker, the follow-up to 2018’s Upside Down Flowers, and his first collection for Nettwerk. Coinciding with today’s song release, McMahon has also revealed the final track listing for Tilt At The Wind No More as the album, due out March 31st via Nettwerk, is now officially available to pre-save on DSPs and pre-order on CD and vinyl – CLICK HERE. Andrew McMahon in the Wilderness is gearing up for the release of his new studio album, Tilt At The Wind No More, next month and has released one more offering from the forthcoming collection with the piano ballad, “ Nobody Tells You When You’re Young.” CLICK HERE to listen.